The provenance of The Normantones is all in the name and take enormous pride in where they were brought up. Tony and Anthony both herald from Normanton, England. Hence the name: The Normantones. Best friends from their infancy, Tony has just completed a long career as a secondary school teacher. Anthony worked in aerospace for many years but is now a full-time musician.
And what of the music? Both are self-confessed Beatles fanatics, but it goes deeper and wider than that. Though too numerous to list here, their other major influencers are The Bee Gees, Elvis, The Who, Billy Bragg and David Bowie.
They began collaborating musically at the age of fifteen and soon after were composing and playing their music live in and around The Midlands. However, composing and recording their music soon took precedence over live performance and the origins of what ultimately became REVIVER was started.
The Normantones is the latest incarnation and their first collection of songs to be streamed is now available on most digital platforms on the album REVIVER. Listeners might be forgiven for claiming that the ghosts of all of the above are haunting this catalogue of work. They might be right. Undoubtedly though, there is also something altogether fresh and contemporary about them too.
So please enjoy this gift from The Normantones to you…
Here it is! The second album by The Normantones and the follow-up to their 2023 debut album, the 14 song strong Reviver. This time another collection of 14 songs, its title amounts to a heartfelt acknowledgement of where the two lads both lived and were brought up. “We’ve called it Clarence Road because it’s where we began!” says Tony. Anthony elaborates and adds, “It’s where I was born, the place we spent our formative years and actually first got together to make music”. Both had family homes on Clarence Road and it was in Tony’s house that, at the tender ages of 15, they made their first recordings of their earliest compositions. “We were allowed to take over what was called the ‘middle room’. Tony's Dad, who also allowed us to use his Hammond organ, dubbed it Studio 3!” recalls Anthony. Tony remembers, “We spent so much of our time there knocking our first ever batch of songs into shape and recording them in, what I suppose can be termed, ‘live stereo’. We’ve both got a lot of fantastic memories of those times!”.
All 14 songs on Clarence Road are self-penned original compositions and the album gets off to a flying start with Tony’s Midwife Pam, a musical tribute in praise of not only their sisters, Pam and Tracey, but all those who work to provide all our public services. Tony and Anthony share lead vocals, with Tony beginning by singing the first verse and chorus dedicated to Pam, and Anthony then taking over and belting out his vocal appreciation of Tracey. The boys’ vocals and Tony’s guitar playing are unquestionably and unashamedly Beatlesque. Or should that be Monkeesque?! You can watch The Normantones’ official video by clicking on the link: Midwife Pam.
Next up is Anthony’s On Christmas Morn, which is evocative of the spirit of Dickens’s A Christmas Carol. As the great author himself said of Christmas, in the guise of one of the visitors to Scrooge’s office who are seeking donations for the poor, “it is a time…when Want is keenly felt and Abundance rejoices. What shall I put you down for?” As Marley’s ghost laments, “Mankind was my business. The common welfare was my business…”. In reminiscent fashion, Anthony sings his appeal to us all to be mindful of the misery felt by many amid our collective Christmas merriment, and to act accordingly.
In putting these first two songs at the opening of the album, The Normantones have elected to serve up some thought-provoking social comments for starters. Its remaining tracks comprise what could be considered the main course. This comprises a connected series of songs through which one is told a love story beginning with Gorgeous Game, which is about love at first sight and the initial stages of the courtship. Overtures then takes the incipient relationship to the next stage in which we become aware of the emotional “baggage” that Natalie (we even learn the name of one of the main protagonists) is burdened with, and patience and understanding are the order of the day. Following these two compositions of Tony’s, Anthony sings and takes writing credit for Let’s Take Time Together, in which he sings of the need, at its new stage, to cherish and to continue to take the relationship steadily; even though it’s clear that their feelings are becoming ever more intense. Then, in the Tony-penned No Way! we learn that the couple find themselves in a relationship that is no longer just platonic, which they both sense is extraordinary, and that neither wants to give up on. In the ensuing, more up-tempo offerings, the first from Tony entitled Her, the boys share the lead vocals and sing of the sheer elation experienced, at last, at having found someone who is felt to be the one. That elation continues in Anthony’s song, All That Matters. However, with Prisoner, a ballad conceived by Tony way back in 1989, resurrected and re-recorded in order to take its rightful place among the other songs on Clarence Road, we are made to feel the bitter-sweet sensation of their genuine love possibly being tainted with feelings of obsession and ensnarement. Just for the record, it’s worth noting that Prisoner was destined to feature on Reviver, but the original version, which the boys maintain was the definitive version, featuring Anthony’s sister Tracey delivering a beautiful lead vocal (you can still hear her sing on the song Childsplay which is on Reviver), did not survive in good enough condition to do the song justice. In Anthony’s Somethin’ Too, the relationship has ruptured and the song is a doleful and bewildered reflection on what could possibly have gone wrong, though with an acknowledgment that life must go on. The second of The Normantones’ Christmas themed offerings Ghosts is Tony’s final solo composition on the album. In it, the festive season is always haunted by painful reminiscences of the cherished love affair that was ultimately made to fail because of something that happened between “some guy…and you”. The penultimate track on Clarence Road, Dans Tes Bras Encore sees Back in Your Arms Again, one of the most listened to tracks on the Normantones’ Reviver album, reincarnated and sung in French - “the language of love” - thanks to a translation of the lyrics by Tony’s wife, Gill. Didier Martin delivers a passion-infused, heartrending version of the song in which both of The Normantones had a compositional hand. The lyrics tell of a tortuous inability to make the completely clean and permanent break they know would be for the best. This story-telling suite of songs, and the album, are then rounded off by Anthony’s two songs. The first one is Clichés in which the eventual ending of the relationship has created a somewhat hardened cynicism. Even the more robotic “synthy” feel of the track transmits the desensitisation and disillusionment felt at the end of the relationship. However, when Anthony sings “It’s better to have loved and lost…”, the clouds left by the demise of their love still have silver linings. His second song and the last track on the album, You Made Me Laugh, is about remembering the past relationship and the need to hit the reset button and start over.
So there you have it. Clarence Road. The second catalogue of songs by The Normantones. A collection beginning with two overt social comments. After these, does it transform into a concept album of sorts? A romantic musical mosaic of sequential chapters telling the story of an ultimately hapless romance? The boys will let you be the judge. Play the songs in their original order on the track list if you’re intent on listening to the story they tell, or in shuffle mode if you prefer. Who knows? You may discover a superior blend and running order! Whatever, it’s clear that many hours of patient industry have gone into their making and that there is something for everyone…
Somethin' Too, by The Normantones could be a tale of love and loss at first glance but it is more important than the love between two people. This song is about how you can look beyond this and believe in yourself. The something we can all be is true to ourselves and our dreams.
Life is never straightforward but as it says in the song:
"Learn from the river, it's wise
If you can't go one way, it finds another"
This does not mean we should ever give up on finding love again in the future, just start with not giving up on yourself and then the future, well, who knows!
Midwife Pam, by The Normantones contains direct references to each of their two younger sisters, Pamela and Tracey. The two of them work in the midwifery and teaching professions respectively. In releasing a piece of work that, on the face of it, salutes the contributions of Pam “…doing all she can for the mite in the scan” and Tracey (“…where would be without teacher Tracey’s ABC?”), it is a much broader tribute to all those, in whatever job or profession, who work to provide our essential public services. In upholding our individual and collective wellbeing and prosperity, they really do, as the lyrics suggest “put the great into Great Britain” and are “one of our nation’s best creations”. Thank you to Pam and Tracey and to you all. We love you!
Back In Your Arms Again started life in Anthony's head as a melody that had a verse and chorus, the key words back in your arms again and little else. What happened next lies at the heart of most of The Normantones compositions. After sharing this with Tony during one of many sessions the collaborative spirit kicked in and Tony took it away and crafted the words. We both love Motown music and this track was our homage to this. This track was originally released in 2023 as part of the album, REVIVER. It has proved to be one of the most listened to tracks from the album and this combined with another twist where Tony was sharing our music with his friends in France and that is how Dan Tes Bras Encore was created with the help of our guest vocalist Didier Martin. Both the English and French versions are now available and we hope you enjoy both.
And the sunlight clasps the earth,
And the moonbeams kiss the sea;-
What are all these kissings worth,
If thou kiss not me?
-Shelley-
Overtures tells the story of Natalie who has recently been through a break-up, and her new suitor who is acutely aware of this. His concern for her, and his hopes for their future together are ‘front and centre’ in the song, but they are tempered by a lyrical wariness of the dangers posed by a precipitous entry into a rebound relationship: “Just recently you’ve split with him, so you might not accept my overtures…”. He’s afraid that if he reveals his true feelings for her, she might “simply head straight for the door”, and so he opts for forbearance and understanding. When asked about the song, Tony explained “I’m recounting the feelings of one who is afraid of what might turn out to be an opportunistic ricochet into a new and ill-fated relationship, so he relies magnanimously on the hope that there will come a day when his feelings are reciprocated. It’s a demonstration of how, sometimes in life and in a relationship, discretion is the better part of valour!”.
The production of Overtures saw The Normantones work closely in tandem. Anthony recalls that “The instrumentation comprises Tony on piano and guitars, with my scoring of the orchestration. Our best songs come about when we work in a concerted and complementary way, so Overtures is another piece that we’re especially proud of”.
Clichés is about the complexities of relationships and uses well worn phrases to capture the aspects that most go through. The sound is a departure from the more recent acoustic offerings with synth sounds from the 1980's. The Normantones are firm believers in "what goes around, always comes around". Don't be too quick to judge this offering by its cover.
“There is no instinct like that of the heart”. So said Byron, and The Normantones’ latest offering “No Way! tells the story of an incipient relationship within which all the early signs and omens are good and both parties, who have become lovers, instinctively feel that they may have found their soulmate. Indeed, their instincts are such that there is literally “No Way” that either party wants to give up on it.
With No Way!, The Normantones are re-visiting their acoustic ‘unplugged’ roots. Acoustic guitars were their first instruments, bought for them by their parents, and it is this fingerpicked instrument that fronts No Way! The sound of crickets, recorded in Normandy, open the song and set the nocturnal scene in which the protagonists have begun their courtship. At the conclusion of the song, one is left wondering about their fate and hoping that it is not all “the final act in some sad play”. We again hear the sound of crickets telling us that a day has elapsed, and that the twosome are on the threshold of another night. Whatever the future holds, there is the all-pervading sense that each will cherish the night that brought them together and that they might always feel that:
There was a time, I need not name,
Since it will ne’er forgotten be,
When all our feelings were the same,
As still my soul hath been to thee…
-Byron-
The origins of this song date back many years to a warm summer day where I once lived and reflected on how we need to take time and make time for each other.
Whilst the language in the song is singular it is an amalgamation of a number of stories that hopefully mean something to you when you hear it and as such will relate to all types of relationships.
Prisoner is a somewhat dark and disconcerting tale of not only feeling love for someone, but of also feeling incarcerated by it. The song’s protagonist is all too aware that whilst the object of his affection is someone he desperately wants to be with and feels has totally captured his imagination and affection in an apparently irreversible way, there is the fear that his love may not be reciprocated (“For you to feel the same way, that’s what I need”/“ Will you play prisoner to me?”). It is a love reminiscent of that between Emily Bronte’s Catherine Earnshaw and Heathcliff. It is a deep and passionate connection that transcends, and may even give offence to, societal norms. The listener is intentionally made to feel ill-at-ease and left questioning, in their own mind, what makes for a healthy, loving relationship, because the one in Prisoner is likely to lead to sleepless nights or as Bronte herself put it, “unquiet slumbers”.
The Normantones have not released a "Christmas song" before so we decided to be slightly different and release two! We hope you enjoy our festive offerings and the season too.
Christmas is a time of year for many things, celebration, parties, family. Unfortunately, however, life and its harsh realities are ever present as well and whist this song is not intended to ruin the season of goodwill it is with this in mind that those that have, could help those without. Take a moment when listening to reflect, and whether or not you believe, reach out and help others if you can.
As the chorus captures:
"On Christmas Morn a child is born
Not all are warm this Christmas Morn
No-one can see the struggle of this family
On Christmas Morn"
Christmas isn’t a date on the calendar: It’s a feeling in the heart
- Toni Sorenson (US author)
With Ghosts, The Normantones have created a piano-led ballad about the powerful effect the festive period has in evoking feelings of nostalgia. Memories are reawakened, a relationship is remembered and, in this case, rued. “It’s the same old feelings at Christmas time..” for the central character in the song. Like snowflakes, “ghosts of Christmas past…dance and play” before their eyes and haunt their febrile mind. The song recounts how these poignant and powerful emotions are amplified by the Christmas festivities, and how the protagonist is seemingly unable to shake off the profoundly-held feelings for their erstwhile partner. At the song’s conclusion, they tell of feelings of a hurtful betrayal: “…whatever happened to you and I - some guy…some guy and you!”. Anthony recalls, “Although it’s clearly a sad song, we had a lot of fun around the studio mic, perfecting the harmonies in the middle eight bars of the song. To prevent our voices cracking, we drank about a gallon of tea. I just remember the kettle being permanently on!”.
The Normantones debut single, although it is limited in lyrical content the whole intent of this song is not to get lost in the words. Enjoy the musical content, lyrical repetition and the music as it becomes more intense to reflect the frustration that comes from everybody listening but not hearing a single word that's said!
We hope you enjoy our music as much as we do.
This offering from The Normantones is the second single from the duo and tells the story of someone who "Didn't really mean" so may things but has the time now to reflect on why the relationship they were in failed. There is love but was that enough? The song leaves the listener with no clear answers, "I'm lost, my love", but can they find each other again?
“A girl… and a Sunday School… in another world”. It is clear from the start that Sunday School Sally is a musical rumination of childhood memories. It immediately conjures up the image of playing in the street; the arrival of, and stampede towards, the ice cream van; a mate called Fran; and the girl with “sunshine eyes” that “we all wanted to marry”. Tony says that when asked if Sally was a real person, he says “Sally existed alright and I sometimes think about her and wonder how she’s getting on”. However, he also explains that “the song itself tells of a character that is more of an amalgam of a number of girls that, as very young boys, “me and my mate Fran” had in our lives at the time. They were sisters, neighbours and friends who tended to be older than us. I just remember feeling happy and safe in their company and care as we played on the street or in the park. Looking back, it was lovely that they showed really strong protective and parental-like instincts, and we were the beneficiaries who, as a result, enjoyed many care-free halcyon childhood days”.
REVIVER - The debut album from The Normantones, and as the name suggests, the album contains some tracks that have been "revived" in so many ways. A mix of old tracks recorded on a four track cassette recorder in the 1980's seamlessly blended with some new material penned once the two members of The Normantones were reunited as a group nearly 40 years later! We hope you enjoy this album as much as we enjoyed making it.
Sunday School Sally was one of the singles released by The Normantones in 2023 and is the opening track on the album. Read more about the song in the 2023 Singles section.
This track is what this album, REVIVER, is all about, a track written , recorded and performed live back in the 1980's. It tells the story of the ups and downs of fame, "Superstars you once were called, people came they cheered adored" is definitely the upside. Aside from some very minor "tweaks" this recording is the one that was done all those years ago on some basic equipment in comparison to today. One thing that shines through on this track is the energy and youthful enthusiasm that created this song.
Another single release in 2023 that made the album. Read more about this single in the 2023 Singles section.
A hymn of praise and acknowledgement sung by someone who realises that the love they receive from their partner is as indispensable as the light and warmth of the sun. When it isn’t forthcoming, life feels desolate. Anyone who has ever been in love can identify with this Normantones offering.
The lyrics tell of a Mister Jones who has “poverty imposed” and is “imprisoned by his mediocrity”. Although the song was penned way back in the early 80s, the problem of pensioner poverty persists today. A 2022 government report found that the percentage of GDP spent on state pensions and pensioner benefits in the UK was 4.7%. This compares with 8% in Germany, 11.9% in France, 11% in Italy, 8.2% in Japan and 6.4% in the United States. The song is The Normantones’ musical indictment of this state of affairs. The lyric which says of Mister Jones that he “would laugh out loud” but maybe “laughed too loud”, is a comment upon the often all too accepting “mustn’t grumble” attitude that often typifies the British response to hardship.
Inspired by Walter Scott’s seminal novel of the same name. The subject matter of the song is one of the book’s beautiful and captivating subplots, namely the love triangle of Ivanhoe, Rowena and Rebecca. The guitar solo endeavours to capture the emotions of the lachrymose Rebecca at the end of the story, who has to accept that she has lost her beloved Ivanhoe to her Saxon rival, Rowena. Oh, Ivanhoe! Are you sure you married the right person?!
The Normantones share their exasperation at our post-truth political predicament and the ease with which too many people fall for, and unthinkingly accept, the disinformation, propaganda and falsehoods that are peddled by parts of the media and on social media. The result: unvarying, predictable views that are driven more by emotion than objective fact. Orwellian or what?!
Another single release in 2023 that made the album. Read more about this single in the 2023 Singles section.
The Normantones recount the story of a soldier trying to make sense of their service and their sacrifice. “As long as war is regarded as wicked, it will always have its fascination. When it is looked upon as vulgar, it will cease to be popular”, so said Oscar Wilde. This is a song about the pity of war, its fascination and its vulgarity.
The Normantones have produced a ballad, sung as a duet, that details a romance that is going so well, it is literally child’s play. In Hamlet, Shakespeare wrote that “In love, the littlest doubts are fear” and this fear is manifested in the misgivings voiced in the song about whether the love will last: “Will it be the same tomorrow?”…
The Normantones are telling this story from the perspective of one who knows that their partner’s wanderlust and errant heart spell the end of their love. The feeling that the grass is greener on the other side is prompting their erstwhile partner to “follow the sun”…
Unlike the one in Child’s Play, the relationship that is the subject of this melancholic ballad is painful, and its protagonist is pained. The hurt and distress is all too apparent. A story of love gone awry, something that most of us have experienced.
A brazenly 1960s flavoured Beatlesque ballad. The words “love me do” even make an appearance towards the song’s conclusion. The use of the 12-string acoustic guitar is reminiscent of the sound of The Seekers too. Respectfully and wonderfully retro, this one!
The Normantones do Motown! Although the spectre of someone struggling to break free from a controlling relationship haunts this song, the tune is an irrepressible ear-worm. Enough Said!